Den Ratte Komma
Lat in, is as I said Guillermo del Toro "a poem, the beauty of this film lies in the innocence of the story introduced in the pure horror of human nature. In the present sense of horror may be disappointed to find no hideous creatures or deployment of special effects and gallons of blood, but the script is meticulously telling a terrible story, also without doubt one of the best portraits of all time on vampires and a love story unforgettable.
Directed by Tomas Alfredson, the Swedish-born film has swept the critics and voices gradually has spread to other fields because of its beauty and complexity. Few adjectives to describe the beauty of film, art with which it was manufactured earned her 42 awards (including including best European film festival in Sitges and critics award and the audience in Toronto Afterdark Film Festival) and a safe place in the hall of fame of horror movies.
The story tells the story of a shy kid, unsure, who fantasizes about murdering those who tease him at school. One day he meets his neighbor newcomer, a girl who hides the secret of being a vampire trapped in the body of an infant 12 years. The script is full of suggestions, the director prefers to use the power of images without overloading the scenes of dialogue unnecessary, adding to this the excellent performance of the two children, the story unfolds with a narrative (classic Swedish film) that is going deeper into the love story between these strange children suffering from the misfortunes of everyday horror and fantasy. Departing a bit from the current culture of ultra-modern vampires, organized in unions and returning slightly Nosferatu expressionism, Let the Right One In (international title) shows traditional vampire elements that had been forgotten as it is the gateway to some house or room. They can not enter unless invited.
Although people may think otherwise Lat Den Ratte Komma in SI is a horror film, however, a rather complex terror. The terror of loneliness, psychological abuse and cruelty Child abandonment is a portrait, but beyond any assumption is a beautiful love story so innocent in contrast to the excellent cinematography, plagued by a severe winter, beautiful and locks us into an atmosphere of desolation and melancholy. The music and how to tell the story dwelling on details, showing things in due course, blood painting the snow and discover feelings that were locked for a long time.
clear The child is a terrible picture of a serial murderer. His childhood, abandonment, homosexuality of his father cuts murder, revenge fantasies of killing and harassment of their peers, only a vampire someone who understands the nature of killing to live could understand and love a man so twisted and yet human. The rest of the crew does great, without much dialogue met a wonderful atmosphere of the story.
In conclusion we are dealing with art films, good horror films, the one who conquered the critics and fascinated the masses in the past. Now not perform the second task, but those who seek quality and beauty we come to a classic that will undoubtedly captivate and feed our hope for one of the genre's most discredited and devalued in the film industry.
The good thing about photography, music, proceedings. The Bad
That suggestibility that characterizes the film can be interpreted in certain scenes some loose.
Conclusion.
A film that they fulfill all the attributes of a great horror movie or love for where you want to see us into the complexity of human nature depicted from an unusual childhood. An unforgettable film.
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